Kategoriearchiv: media

background radiation @ Radio Industry — Woltersdorfer Festival für Kunst + Gegenwart 2023

Enkidu rankX und Sulamith Sallmann bei Radio Industry, Woltersdorf 2023
background radiation bei Radio Industry, Woltersdorf — Foto (c) Sulamith Sallmann (sulamith-sallmann.de)

Radiation travels well by radio — fitting, then, that we took background radiation, our book and multimedia project about nuclear obsession, to Radio Industry, the Woltersdorfer Festival für Kunst + Gegenwart (28.8.–10.9.2023).

Frank Diersch had the kindness (or the courage) to invite Sulamith Sallmann and me to present the project on his station — recorded on site in Woltersdorf bei Berlin, September 2023. We talked radiation, history, and why you cannot un-hear a Geiger counter once you have heard one. The book behind it all: Hintergrundstrahlung / Background Radiation — das Künstlerbuch.

The festival itself was a fine beast: interdisciplinary, radio-centric, and hosted in a village that once powered Berlin from the water — the old Woltersdorf power station theme runs deep this year, much like our gig in another power plant, the Dieselkraftwerk in Cottbus. Industry, converted into culture. A pattern, one might say.

Full visual documentation by Sulamith Sallmann, as usual: Festival für Kunst + Gegenwart 2023. Go and listen, if you have the stomach for it.

Hintergrundstrahlung / Background Radiation — das Künstlerbuch

Cover: Hintergrundstrahlung / Background Radiation
Cover: Hintergrundstrahlung / Background Radiation — Künstlerbuch, Eine Art Fabrik, 2023

Out now, as of March 2023: „Hintergrundstrahlung / Background Radiation“, the artist book by photographer Sulamith Sallmann and media artist Enkidu rankX (that would be me), published by Eine Art Fabrik.

The backstory is less cozy than the paper: I grew up in the late 70s and early 80s in a French bay wedged between a nuclear power plant and a fuel reprocessing facility. Sulamith grew up at the same time on the other side of the Iron Curtain. Between Chernobyl 1986 and the Cold War, nuclear catastrophe was not an abstraction — it was the neighbour. Then 1989 came and everyone agreed the danger had been dealt with. Handy consensus. We all know how that opinion aged by 2022.

In March 2015, when Vladimir Putin vanished from public view for ten days, I recorded radio transmissions from around the world — private, commercial, military, some encrypted, some just noise. Against the backdrop of Ukraine 2014, something big was audibly about to happen. Out of that material came the sound collage „Hintergrundstrahlung / Background Radiation“, and eventually this book: Sulamith’s photographs, my text.

Order the book here: Eine Art Fabrik — Hintergrundstrahlung / Background Radiation. The radio play and further material live at background-radiation.com. Sulamith’s take on the project is here: sulamith-sallmann.de.

And the project keeps travelling — we presented it at Radio Industry, Woltersdorfer Festival für Kunst + Gegenwart 2023.

Do it for the sake of the subject, not mine. You might find something that disturbs your ears — this time on purpose.

BGR.rad – Radio Play on actual Radio (air play)

UPDATE You can now listen to the whole show right here and now… enjoy

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Well my friends (and foes, if only I had some), the time has come and my Radio Play about radiation will finally art over actual radio waves on Friday the 15th of April. This seems fitting since it is about war (particularly in Ukraine), nuclear radiation, nuclear war and paranoia (proliferated over radio waves). And pardon me for playing Cassandra but the thing backdates to 2015, when I was just a fear mongering paranoic with too many drugs in my system. I would have preferred to remain wrong and crazy but it seems history has caught up with me and my reality and decided to become even crazier than I was back then.

Photo by Sulamith Sallmann: France, Normandy, Flamanville, August 2015

So happy listening to DJ Richard Sylvarnes and him donating his whole show to my play. It might have some uncomfortable side effects though, like hair loss, vomiting, disorientation, and a general despair and total loss of hope in humanity. Listener discretion is advised.

„inside/outside“ review on Film International

Film International did a review of one of my clips, let me share it with you:

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I am quiet touched by this, it nailed my intentions right to the spot… Thank you David Finkelstein and Film International for taking the time 😉

„black float“ by K|X – new music video clip

A retro-punk-glitch-art music video clip by Killisch and rankX

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black float

“black float” is a collaboration, a back and forth between Berlin artists Klaus Killisch and Enkidu rankX.
Starting with a guitar track provided by Killisch, rankX built a beat around it, resampled and restructured it. Then this same process began anew. Killisch would play additional guitar on the track, X would resample and rearrange. Finally with the finished track in mind, K provided a painting / collage that in turn was the aesthetical basis for the video-clip. As opposed to the music, the visual art remained separate, more to be seen as both sides of a mirror.
The city of London was chose for a very particular reason, since K. K. as well as r.X draw a great deal of inspiration from pop music, more precisely the era of classic rock-pop-blues-funk-soul-electronic-avant-garde. So to honour this vibrant city and all the creative greatness it bestowed upon us, here is:

black float by K|X

"black float" by Klaus Killisch

„black float“ by Klaus Killisch

painting | collage | guitar: Klaus Killisch
video-art | electronics: Enkidu rankX

„black float“ features „Real-time Cycle Ride Through Central London“ by Nick Lansley und CC-BY. Thanks for that perfect ride.
london landscape tv – www.youtube.com/user/lltv

CC by-nc-sa 2016 www.klaus-killisch.de | www.enkidu-rankx.de

venus3005 – gif animation gone large

venus3005

“venus3005 (her_face_006)”, gif-ani glitch 4th°, 800x800px, 2015

„Marilyn moments“; a lot of girls and women on porn channels and in streaming services perform them regularly, it is a kind of routine – I believe – that seems to work on many a man… That perfectly artificial mix of innocent candidness and sexual lust has fascinated and inspired countless artists. And so this is a double homage, this unknown Norma Jean portrayed by this unknown Warhola that is me 😉  „venus3005 (her_face_006)“ is part of the glitch porn art series “Her_Face”. Read more about this series here >>

anonymising

In wake of #Germanwings flight #4U9525 crash I was baffled, as many, with the way modern day mass media dealt with the issue of depicting something that is not depictable. Besides the crash site in those remote mountains there is actually nothing to see. This catastrophe happens inside our heads, with no means for us to exorcise it by means of monotonous repetition of images as seen during 9/11. Here, we just have a result but no actual event. Even more so, that the main switch was flicked inside the brain of the 2nd pilot. There is no way whatsoever we will get inside his or any other human brain for that matter. This will always remain a mystery.

anonymise me I

anonymise me I (2015)

anonymise me I

anonymise me II (2015)

anonymise me III

anonymise me III (2015)

A clear need seems to be to show the man’s face, as if it could help us to understand his motives, his personality, his soul. Yet in some cases journalistic requirements breed strange results. How to show someone without showing him…

twitter based call to action for net art

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You can participate in my new piece of art. Add your input via Twitter or facebook or commentary section. Thank you for participating. The Result will be an open source net art piece, to be shown here and in an exhibition in Berlin later this year.

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