Enkidu rankX 2014, Foto: Sulamith Sallmann

Audiovisual art — Berlin

Albumcover: no w here von Ur.X — toter Specht auf Stein, Glas-Cyber-OverlayBild zum Beitrag „Audiovisual art — Berlin“Bild zum Beitrag „Audiovisual art — Berlin“Blatt 1 von „The Code Is Cold“: helle, eisartige Flächen in Grau, überlagert von getipptem Text und feinen LinienAmber_HF_013 porn artphoto copy artUr.X live in New York: Uri Killisch mit erhobenen Armen, Enkidu rankX am Rig, davor die ProjektionswandWeißer Styroporschädel auf einer grauen Platte, am Kiefer steckt eine Kreditkarte im Kartenlesercubical (financial crisis): Großraumbüro aus überlagerten Linien und DatenmusternZwei Tänzer auf dunkler Bühne, dahinter eine VideoprojektionBild zum Beitrag „Audiovisual art — Berlin“Bild zum Beitrag „Audiovisual art — Berlin“

Bild zum Beitrag „about me“
photo: Sulamith Sallmann >>

Franco-German, Born in Saarbrücken in 1972, trained in film directing in Belgium, at home in Berlin since 1996. My practice spans digital art, video art, sound installation and electronic music, with collaborations in dance and theatre. In 2002 I co-founded the art company Einheit_7 e.V., where I have been teaching media art to underprivileged children and teenagers ever since.

My work circles around the friction between humans and their technologies, post-privacy, (relational) miscommunication, virtualisation and simulation and the erosion of identity that follows. Alienation is the recurring keynote of my often stark, unsettling sounds, videos and images.

Recent projects include the multimedia project the code is cold, the artists‘ book and radio play Background Radiation, my personal sound archive SONDAGE, and my ongoing musical collaborations with Ur.X and others. My filmography counts more than 50 films, videos and experiments — shown in projections, screenings and installations across Berlin, New York and Amsterdam. More info >>

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