Tag Archives: videokunst

Verlauf / rain in motion (RiDream)

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“Verlauf / rain in motion (RiDream)”, HD-Video, 4:02 min, 2013
music by MK_ultra: “RiDream” from the album “Mind the Gap”
filmend on the way from Leipzig to Berlin

post privacy art #1

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“m4usism4us”, video-art / installation [pd/GEM], 2011

The video installation “m4usism4us” is about ones image & self definition in the realm of interactive mass media. It is based on a PureData [pd] / GEM installation and is slightly retreated.
Tnx 2 m4usism4us 4 being herself
music: MK_ultra

 

ARTE about post privacy art >>

 

generative art / generative Kunst

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Generative Echtzeitkunst als Versuch, die Maschine zum Träumen zu bringen. from Enkidu rankX on Vimeo.

This is an interactive visualisation of a (German) text I wrote for the magazine Prolog IV edited by Anton Schwarzbach. For more info see: prolog-zeichnung-und-text.de/​

The article can be found here >>

Prolog 5.5

You are all cordially invited to the following party and location:

X • • • ?(*)• • • • ß ≈ ° • • • • • • • • • • • • • • • • • •• • •

5+einhalb

Prolog 5.5

Am Donnerstag, dem 22. April 2010 erscheint der Prolog Nr. 5 ½ im “ausland” – Lychener Straße 60, 10437 Berlin, Prenzlauer Berg

  • Beginn: 18 Uhr, ab 20:10 Uhr Lesung / Performance

Wir laden Sie aus diesem Anlass herzlich ein zur Vorstellung des neuen Heftes für Zeichnung und Text mit einer Fünfeinhalbstundenausstellung, Lesung, Performance und Spendenschnaps.

S-Bhf. + U-Bhf. Schönhauser Allee
S-Bhf. Prenzlauer Allee, Tram Linie 12 Station Stargarder Straße

www.ausland-berlin.de/prolog-heft-fur-zeichnung-und-text

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Realtime Text Experiment

Generative Echtzeitkunst als Versuch, die Maschine zum Träumen zu bringen. from Enkidu rankX on Vimeo.

Generative Echtzeitkunst. Essay über die Geschichte und Zukunft generativer Kunst in Echtzeit. Text erschienen in Prolog IV (http://www.prolog-zeichnung-und-text.de/). Live-Vortrag in Echtzeit bebildert mit PureData[pd].
Realtime generative art. This text is an essay about the history and future of generative art in realtime. It was published in Prolog IV (http://www.prolog-zeichnung-und-text.de/) and was done live & recorded live. There was no tampering done.